Cheryl Gail Toh    
 
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Encaustic has a rich, translucent quality, which results from the application of many layers using a molten wax medium. I hand mix my colors with the wax medium to create the paints that I use. I use brushes to “paint” with the colored wax. After the wax cools, each layer is then heated and fused to the previous layer, using a heat gun or torch.  

I incorporate drawings, string, thread and other found materials as I work; I then selectively scrape away the wax to expose the multiple layers hidden beneath the surface. I thoughtfully select my color palette, forms and found objects to create these sublime, one-of-a-kind paintings.  

encaustic  

This historic painting process was first used by the ancient Greeks, Romans and Egyptians – dating back over 2000 years. The word encaustic comes from the Greek word meaning to "burn in" which refers to the process of fusing the paint.  

Encaustic consists of beeswax and tree resin mixed with pigment. Once applied, each layer of the wax is allowed to cool and then is fused using a heat gun or torch. The fusing serves to bond each layer to the previous layer, creating a durable, moisture resistant surface.  

The wax surface of an encaustic painting is a protective finish, nothing needs to be added to preserve the paintings; they will not deteriorate, or discolor.  Paintings are best when allowed to breathe and should not be varnished or kept under glass. Under normal conditions, encaustic is a very stable medium, with a melting point between 160-180 degrees. As with any artwork, encaustic paintings should be kept out of direct sunlight.